Post Vault

Showing posts with label Pulp 21. Show all posts
Showing posts with label Pulp 21. Show all posts

4.30.2018

Past Grievances

Another book I'll have at Comicpalooza, on the Pulp 21 label...
The original format is to be in color, but it's a finished book in time for a convention so I had to throw down some limited edition single issues with bonus recycled stock paper. A color version will be out when I finished coloring the last 16 pages. Here's the cover with a look at some of the pages.

It's about a woman who time travels back to visit all the epic live music shows in history.

I hand-lettered this first issue will keep on for the rest of series.Unless there are some Comixology terms that require digital letters. I may have heard something like that...but anyways here's Rock in Time.




Black & White/ Color comparison

 


Get your copy, edition of 25. Get it here.



2.28.2017

Sugar Crash

February was touch and go. It came and went as fast as it's 28 days are short. Still, I have a few things I whipped up.

Hope ya had a Happy Valentine's Day, love.
And here's a bookmark I whipped up for Ms. Cornpoppy. She was sending some books to a friend and thought this would be a nice bonus, a custom bookmark!

Fly high with books.
 ...



Had a big break thru this week: I was able to print some black and white ink work onto watercolor paper for coloring purposes. Many artists these days produce work digitally and I'm not knocking it one bit. Do what you do. But when it comes to digitally coloring my work I find it to be tedious, painstaking and extremely time consuming. It's probably due to my outdated techniques and hardware, yet despite my prolific output I'm still a hold out to drop down the money to update to some decent hardware plus deal with the learning curve of said hardware. So, perhaps digital coloring could be a lot funner. Lotta my friends tell me so, but, here we are. Analog coloring, on the other hand, comes natural to me. I AM a painter, after all. And it's way less time consuming, which is why it was such a big win that I was able to run these pages off in such a fashion. Here's that concept page, now with a splash of color.

Color concepts. Not quite done but you get the idea, and that's the idea.

The way the black print out, as you can see, provide a sheen of sorts. It may look strange here but it should scan just fine. The black ink does "seal up" the surface it covers, so any color that goes over it just sits there, which I wasn't expecting. It's also a very print friendly paper at 98lb, and not crazy porous like other watercolor papers. Still, I needed something that could take the color without buckling and ruining the paper and this is it: 11"x14" Canson Mixed Media 98lb (160g) paper.

Gearing up for my 40 day "coughee" fast. Those that know me know what I'm talking about, and may no I used to do it almost every year, but have slacked off in the last few years. But alas, it's time to clear out the cobwebs; get my motor skills back up to snuff, as well as my equilibrium. Become the clear-headed, fast-talking leaping gnome ya'll no me to be. I've also decided to give up coffee, so we'll see how that goes. You might be thinking "Why the hell would you do that to yourself? You're not even religious." Just trying to be a master of my dominion, and to prove to myself that I indeed can quit any time.

I'll keep ya posted on how that goes. 😵

8.30.2016

Crystalized

Ok, wrapped up the summer with a comic in the can and a cool ad for a partner of mine.

The comic; an 8 pager, new story I whipped up for a local outfit Pulp 21 Comics. They're doing some interesting and strange stuff, and it's coming out regularly. Peep 'em.
So, the comic is called Rock in Time, and it follows the travels of young woman who's been traveling to all the great rock shows in history, via a Chrono-Navigator gauntlet. And she's being chased by a creepy bizarre agent dude.





Just some fave panels without spoiling everything, oh, and the whole page count shot. Ha, good luck reading that. 

I've also been working, developing an ongoing series of mine, code-named Sun Eaters. I may have told a few of you about that already. Well, it gets deeper and deeper. It's so fun building up a world and creating characters, there are so many possibilities for many different types of stories. I'm also still working on visualizing these characters and their costumes. It's not as easy as you think, unless you want them to look all cub-scouty with all types of gear and tools strapped up and down 'em, then yeah, it's easy.

I've got ideas churning for some dope-ass concept art for this series, so sit tight and we'll see if I do it.



Also, I'm working on a new book for Iva Dawn, who, if you remember the last time we collaborated, we made THIS. Well, we're back and bring you the next chapter of the infamous and sulty Nyx. Here are some concept sketches.

Nyx and her new threads





Alternate costume

Exciting! I'll post some pages/panels when it's in the can. Also, sit tight.

And lastly, this wraps up my month. My boy Van landed a new sponsor, and it's a company that makes a product I can get behind 100%: Honey! So, we made an announcement. Check it.




Bye bye, Summer! Hello Autumn, my favorite time of year. All #inktober is coming up so let's whip out (yes, i said it) our brushes and ink wells and draw some shit.